tag:blogger.com,1999:blog-7252172164867558952024-03-12T19:15:43.069-07:00true mirrorUnknownnoreply@blogger.comBlogger2125tag:blogger.com,1999:blog-725217216486755895.post-76794764561723807662016-03-08T05:44:00.000-08:002016-03-10T07:54:31.240-08:00<br />
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<b><span style="font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">TRUE MIRROR</span></b><span style="font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span><br />
<b><span style="font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";"><br /></span></b></div>
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<i><span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">De tous les mensonges, c’est l'art qui est le moins faux.</span></i><span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Gustave Flaubert<o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Plus de 50 artistes résidant en Allemagne ou en France
sont invités par six autres (Laurence Egloff, Alexine Chanel, Alexandra Noat,
Raphaël Renaud, Katharina Ziemke, Damien Cadiot) + un allié parisien
(Mickaël Faure), à contribuer à l’exposition <i>True Mirror.</i><o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Au total, 58 artistes produisent une œuvre, sans
spécification préalable de médium ni de technique à employer, d’un format
maximal de 56 x 45 cm (format « valise cabine », par commodité d’acheminement
vers le lieu d’exposition, Paris). </span><span style="font-family: times;">58 œuvres en deux dimensions – ou trois : les artistes
peuvent sortir du plan ou du cadre. Une image de l’œuvre est adressée par
chacun au bureau berlinois de </span><i style="font-family: times;">True Mirror, </i><span style="font-family: times;">puis une
présentation globale du corpus est renvoyée à tous, sous forme de dossier
rassemblant les 58 travaux. Ni nom, ni indication supplémentaire en légende
des œuvres : seuls un numéro et les dimensions sont précisés.</span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Puis les artistes sont invités à participer à la
deuxième phase du projet : choisir l’un des travaux (en « oubliant » le leur)
pour en effectuer... un <i>True Mirror. </i>Un double ? (Reflet,
pastiche, imitation...) Une interprétation ? (Extension, exagération,
extrapolation...) Une mire (où viser) ? Un mirage (où s’abymer) ? Un reflet
(où voir ou se voir et se reformuler) ? Ce qui est sûr : <i>True Mirror </i>invite
chacun à reproduire – à produire à nouveau – autrement, une œuvre d’un autre
artiste. Et les participants créent ainsi, à leur manière, une œuvre d’une
autre manière (et inversement).</span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Cette deuxième étape franchie, 58 œuvres nouvelles
viennent s’ajouter, sous forme de <i>vrais miroirs, </i>aux 58 œuvres
initialement proposées, doubles originaux d’œuvres originales...<o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">La troisième phase du projet est celle de l’exposition :
les 7, 8 et 9 avril 2016, Espace Commines, à Paris, une présentation réunit,
en un accrochage parfaitement symétrique, sur deux murs se faisant face (se
fixant ?), le corpus initial et sa version reflétée.</span></div>
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<i><span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">True Mirror </span></i><span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">révèle la question du regard et y joint celle de l’appropriation.
L’attention se concentre sur la façon dont une œuvre est transformée dans le
regard le l’autre, celui d’un artiste qui l’interprète. Ici il n’est pas
question de copie, il ne s’agit aucunement de recréer une œuvre existante.
C’est bien le champ de l’interprétation et de la référenciation qui est
examiné.</span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Et puis... Sans mention de noms dans l’exposition, quel
est l’original ? Quel est son miroir ? Et quelle est la nature de telle
proposition, dont rien ne dit s’il s’agit de l’œuvre première ou de sa version
re-produite ? Par ailleurs, comment voir et comprendre l’œuvre de ces artistes
dont l’identité reste cachée et la façon dont leur travail s’inscrit dans un
cheminement et une production globale ?</span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Présentation anonyme et dissolution de signature (« Je
est un autre » ou cet autre là, qui m’avise, me reflète, me révèle
quasi), production sans titre mais co-produite, co-construite.<o:p></o:p></span></div>
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<i><span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">True Mirror </span></i><span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">pousse la forme jusqu’au bout : la vente des œuvres exposées – originaux
et doubles, vrais reflets, façons d’avatars artistiques – sans signature : à
l’aveugle. Disparition de l’auteur, décontextualisation des œuvres, négation
de la cote et marché penaud, sans doute, car interdit. A moins qu’il y regarde
à deux fois.<o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Mickaël Faure MARSINPARIS, février 2016 <o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">---------------------------------------------------------------------------------------------<o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";"> </span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">On the 8<sup>th</sup> of April 2016, an
extraordinary art event,<i style="mso-bidi-font-style: normal;"> True Mirror</i>,
takes place in Paris. The event is collectively organised by artists Laurence
Egloff, Alexine Chanel, Alexandra Noat, Raphaël Renaud, Katharina Ziemke,
Damien Cadiot as well as Mickaël Faure,curator of Versailles Art School. The
whole group appeared as a snowball. An artist invited another one to contribute
his or her work to the group collection. Altogether, a group of 58 artists from
all over the world <span style="mso-spacerun: yes;"> </span>who were going to
participate in the event was created <o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">The 58 works were shown to the artists so that
each of them could choose one and then copy it. The choice of the medium was
free, yet the initial format had to be followed.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">The works that were copied, interpreted, and
reflected on were presented to the artists without giving away the identity of
the work. No information about the artists’ creative and academic background
was revealed either. The works were completely decontextualised.<o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">The related images were hung on the
longitudinal walls one in front of the other in a symmetrical way in the
exhibition hall. <o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">That creates an effect of a mirror, but not in
its physically reflecting sense. <o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">2 500 years ago, the Etruscans perceived the mirror
as an instrument of philosophical and religious cognition of the unknown world
whose phenomena they might not always explain. They engraved mythological
scenes on the bronze surfaceplacing them in an intricate order, which showed
how fascinatingly impressive natural phenomena were and they themselves as
perceived through the spiritual prism of their own eyes. Hence, the mirror was
regarded as a mystical dimension in those days. <o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">Since the Renaissance, the perception of
physical phenomena has changed due to scientific progress. More precisely, mirrors
started to be seen merely as optical instruments. <o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">As experiments with mirrors continued, Claude
Lorrain (1600 – 1682) developed a mirror which was slightly convex. That mirror
inspired him to create his idealistic landscapes. Subsequently, at the height
of the Enlightenment, it became popular with aristocracy who roamed around the
outskirts of their estates in search of picturesque views. <o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">Returning to our exhibition, through the
opposition between the original and the copy, <i style="mso-bidi-font-style: normal;">True Mirror</i> exposes another vision of the world, creates another
kind of mirror by contrasting the Etruscan mirror conception with the
materialist<i style="mso-bidi-font-style: normal;"> </i>approach that coincide in
form of quotation-based and, consequently, epistemological postmodern culture. <o:p></o:p></span></div>
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Even a copy, being close to the original in terms
of the structure and material, needs a soul and physical acquisition, a
spiritual flow of an artist who produces the copy. Consequently, the works
copied by the artists appeared to the surface of the world as a form of its
contemplation and search of forms depicting its reality perceived subjectively. </div>
<span lang="EN-GB" style="mso-ansi-language: EN-GB;"><div style="text-align: center;">
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<i style="mso-bidi-font-style: normal;"><span lang="EN-GB" style="mso-ansi-language: EN-GB;">True Mirror</span></i><span lang="EN-GB" style="mso-ansi-language: EN-GB;"> reflects the reflection of the
reflection.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">The surfaces are the horizons of soul
penetration and the formal realisation. The visitor travels from wall to wall
between the horizons.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">Through the effect of doubling creative
processes while determining the image, the work is transformed into another one
of a similar type. That makes the visitor experience the complexity and
diversity of the artist’s creativity and impressions.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">The Etruscan mirrors of our age are particle
accelerators and space-telescopes. The reflections appearing there reproduce
the empirical knowledge about the unexplained as yet physical space. <o:p></o:p></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;">The exhibition <i style="mso-bidi-font-style: normal;">True Mirror</i> reveals epistemological possibilities and borders
through the reflection in imagination.</span><span lang="EN-GB" style="font-family: Arial; mso-ansi-language: EN-GB; mso-bidi-font-family: "Times New Roman";"> <o:p></o:p></span></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";"><br />
---------------------------------------------------------------------------------------------<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
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<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Am 8. April 2016 wird in dem Espace Commines in Paris das
außergewöhnliche Ausstellungsprojekt „True Mirror“ gezeigt. Die Ausstellung
wurde von den Künstlern Laurence Egloff, Alexine Chanel, Alexandra
Noat, Raphaël Renaud, Katharina Ziemke, Damien Cadiot und dem Kurator Mickael
Faure kollektiv organisiert. In einem Schneeballsystem – Künstler laden
Künstler ein die wiederum Künstler einladen - entstand eine Gruppe von 58
internationalen Teilnehmern die Werke einreichten.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Dieser Pool von 58 Arbeiten wurde den teilnehmenden
Künstlern mit der Aufforderung ein Werk auszuwählen und zu kopieren zugänglich
gemacht.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Die Wahl der Medien war frei. Das Format der Vorgabe
mußte eingehalten werden.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Die zu kopierenden, zu interpretierenden, zu
reflektierenden Werke wurden ohne Angabe des Titels und des Künstlers
präsentiert. Den Künstlern standen keine Informationen über das weitere Oevre
oder theoretische und biografische Hintergründe zur Verfügung. Die Werke wurden
dekontextualisiert.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Im Ausstellungsraum der Galerie werden die auf dieser
Grundlage entstandenen Bildpaare an den achsensymetrischen Längswänden jeweils
gegenüberliegend präsentiert.<o:p></o:p></span></div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Der Spiegel der hier in Erscheinung tritt ist nicht
physikalischer, abbildender Natur.<o:p></o:p></span></div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Als die Etrusker vor 2500 Jahren den Spiegel als
Instrument naturphilosophischer, religiöser Betrachtungen entdeckten, ordneten
sie das auf den polierten Bronzeflächen erscheinende Abbild in die Reihe
rätselhafter Naturphänomene ein. Das eigene Abbild erschien in einem als
göttlich empfundenen unbekannten physikalischen Raum. <o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Mit dem Fortschreiten der Naturwissenschaften seit der
Renaissance änderte sich die Wahrnehmung physikalischer Phänomene. Spiegel
wurden optische Instrumente.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Claude Lorrain (1600 – 1682) entwickelte einen leicht
konvexen Spiegel, mit dessen Hilfe er Motive für seine idealisierten
Landschaftsgemälde suchte. Zur Hochzeit der Aufklärung durchstreiften
Aristokraten mit solchen Claude-Spiegeln Landschaften auf der Suche nach
„picturesquen“ Ausschnitten.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Die Ausstellung „True Mirror“ vermittelt in ihrer
Gegenüberstellung von Original und Kopie eine andere Form der Reflektion von
Welt, in einer anderen Form von Spiegel.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Selbst die punkt-und materialgetreue Kopie eines Werkes
erfordert eine geistige und körperliche Aneignung, einen Durchlauf durch das
Selbst des kopierenden Künstlers.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Auch durchbrechen die den „Kopisten“ entgegentretenden
Werke die Oberfläche der Welt als Erscheinung auf der Suche nach darstellbaren
Formen subjektiver, „wahrer“ Welterfahrung.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">True Mirror reflektiert die Reflektion der
Reflektion. <o:p></o:p></span></div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Die Oberflächen sind Horizonte geistiger Durchdringung
und formaler Umsetzung.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Zwischen diesen Horizonten bewegt sich der Betrachter von
Wand zu Wand.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">In der Doppelung der kreativen Prozesse im Rahmen einer
Bildfindung, der Transformation eines Bildes in ein Anderes gleicher Art,
erfährt er die Komplexität und Vielfalt künstlerischer Produktion und
Reflektion.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">Die etruskischen Spiegel unserer Zeit sind
Teilchenbeschleuniger und Weltraumteleskope. Die in Ihnen erscheinenden
Abbilder spiegeln den Stand empirischer Forschung in einem nach wie vor
rätselhaften physikalischen Raum.<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="color: black; font-family: "times"; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman";">„True Mirror“ zeigt epistemologische Möglichkeiten und
Grenzen in einem wahren Spiegel der Imagination.<o:p></o:p></span></div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-725217216486755895.post-6987607064485402542015-10-12T05:30:00.001-07:002015-11-11T00:25:55.359-08:00<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjde5BT3GQhbPMIUPrjvSTnthNhJe85R0rmkLq62YC5PKyVIzDX_lsRnSE8Jhm6_dqllqocXVfy3XrV1Si8NR6sDfx3PjgbS4LL9pLjlHsx6viocmi6FDyaZmCus7r13UDpTmi4givQSnHp/s1600/espace-commines-parisbis.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjde5BT3GQhbPMIUPrjvSTnthNhJe85R0rmkLq62YC5PKyVIzDX_lsRnSE8Jhm6_dqllqocXVfy3XrV1Si8NR6sDfx3PjgbS4LL9pLjlHsx6viocmi6FDyaZmCus7r13UDpTmi4givQSnHp/s1600/espace-commines-parisbis.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">/ESPACE COMMINES/</span></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">/ÉNONCÉ DE LA RÈGLE DU JEU/</span><br />
<span style="font-family: "times" , "times new roman" , serif;">(Scroll down for english version)</span></div>
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Jusqu'au 1er décembre (compris) : envoi par tous les participants de la photo d'une oeuvre personnelle réalisée sur papier ou sur tout autre support léger. Format des œuvres : <b>maximum 56 x 45 cm</b> ou plus petit. Dans le cas d'une œuvre en trois dimensions merci de veiller à la légèreté de l'objet et à ne pas dépasser le format maximal d'occupation du mur.<br />
Adresse: <a href="mailto:truemirrorrorrim@gmail.de">truemirrorrorrim@gmail.</a>com<br />
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15 décembre: Les photos des œuvres originales seront présentées ensemble de manière anonyme sur une page envoyée à tous. Chaque participant est appelé à choisir par téléphone l'œuvre d'un autre artiste, qu'il se charge de "doubler". Les horaires et numéros de téléphone seront communiqués la semaine précédente. Chaque œuvre est attribuée au premier demandeur, et ne peut l'être qu'une seule fois. Chaque artiste s'engage à choisir dans les œuvres disponibles une pièce, et à en fournir un "double". Tout choix validé par le comité est définitif.</div>
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Chacun produira un "double”, une réflexion de l'oeuvre qu'il a choisie, en respectant le format de l'original. Les artistes sont libres d'interpréter l'idée de "double" comme bon leur semble:<br />
du fac simile à l'interprétation sauvage, tout est permis.<br />
La technique est libre mais <b>le format devra absolument respecter celui de l'original</b>.</div>
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Jusqu'au 29 février 2016 (compris):<br />
envoi des reproductions photographiques des oeuvre-doubles par email.<br />
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/5/</div>
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Jusqu'au 15 mars 2016 (compris): réception des oeuvres originales,<br />
c'est-à-dire deux oeuvres par artiste. Elles seront : </div>
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- soit envoyées par la poste aux frais des participants, accompagnées d'une enveloppe ou d'un emballage convenablement affranchi pour le retour des oeuvres,<br />
et comportant l'adresse de l'expéditeur.</div>
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- soit déposées personnellement, ce qui engagera les artistes concernés à venir les chercher aussi personnellement après l’exposition. Adresse et dates de dépôt seront communiquées dans les dernières semaines du mois de février.</div>
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/6/</div>
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Les œuvres seront proposées en diptyque à la vente lors de l'exposition (du 7 au 9 avril compris).<br />
Un pourcentage de 20% sera retenu par l'association pour couvrir les frais de l'exposition.</div>
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Vernissage: 8 avril 2016<br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">/GAME RULES/</span></div>
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/1/</div>
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By December 1st (inclusive): email a jpg of a work on paper or on any other light support. Email: <a href="mailto:truemirrorrorrim@gmail.de"><span class="s1">truemirrorrorrim@gmail.c</span></a>om</div>
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Format: 56 x 45 cm maximum. In the event of a three-dimensional work please make sure the object is lightweight and does not exceed the afore-mentioned allotted wall-space.</div>
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December 15: All participants recieve a pdf anonymously presenting all original works. All articipants have one day to call our hotline and select an “original work” from one the participating artists, in order to produce a “double" of it. Exact shedules and phone numbers will be released the week before. Each work is assigned on a first come, first served basis, and may only be assigned once. Each artist agrees to choose a piece from the available works, and to provide a “double” of it. Any selection approved by the committee is final.</div>
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All participants produce a “double": a reflection of the selected “original” work, respecting the original format.<br />
Artists are free to interpret the concept of "double" as they see fit: from fac simile to wild interpretation, anything goes.</div>
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The technique is free, however the format must imperatively be respectful of the original format.</div>
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All participants send a jpg of their “double” work by email (<a href="mailto:truemirrorrorrim@gmail.de"><span class="s1">truemirrorrorrim@gmail.c</span></a>om), by latest February 29th inclusive.</div>
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By March 15, 2016 (included): dispatch of the actual pieces, that is to say two works per artist: their original work and the double of another participant’s work.<br />
These will be either:</div>
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-sent by post at the expense of the participants,<br />
including a prepaid and self- addressed envelope, for the later return of the works.</div>
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-personally delivered, an option which will engage the artists to also pick up their work personally after the exhibition. </div>
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Exact delivery address and dates will be announced in the last weeks of February.</div>
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The works will be offered for sale as diptychs, and only as such, during the exhibition from April 7 to 9.</div>
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A percentage of 20% on all sales will be retained by the association to cover the costs of the exhibition.</div>
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/7/</div>
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Opening: April 8th, 2016</div>
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contact: truemirrorrorrim@gmail.com<br />
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COMMISSARIAT / CURATION:<br />
LAURENCE EGLOFF/ ALEXINE CHANEL/ ALEXANDRA NOAT/ KATHARINA ZIEMKE<br />
RAPHAEL RENAUD/ DAMIEN CADIO/ MICKAEL FAURE<br />
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Unknownnoreply@blogger.com0